As I was really getting mad with this track it just hit me like a ton of bricks. Many times you play one channel looking for it because you're not sure which side of the track its on, too. You know the drill, play a section over and over blowing up the view until you think you see the pop when the marker plays through it and then blow it up some more until you find it. But as soon as I found one, I found another and another.
#Dsp quattro vs triumph trial
I kept getting them sooner or later by trial and error, like I have always done.
Found the big stuff easily, but I kept playing it over and over again trying to find the little ones, the ones that sometimes you hear them and sometimes you don't. I imagine that this will work in any program that has a pencil function for wav editing.
I use Sound Forge 8.0 for ripping and manually drawing out the pops and what not with the pencil function to avoid using blanket programs that may do global harm to an entire song. The underlying sound was great, but it had lots of pops and crackle, and I was determined to clean it up come hell or high water. This past weekend, I put in about 20 hours over 4 days trying to clean up a pretty beat up rip of The Underture from my 1969 copy of Tommy that I bought new as a kid in high school. I've been remastering music for nearly ten years now, starting with CD's and in the past year or so finally going through my vinyl, ripping it and cleaning it up as best as possible with a vengeance.
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